BELLS
TWO CATS SCREECHING slice
the late morning silence. They circle each other, backs hunched. Chickens
scatter to safer pecking grounds.
A priest approaches. Sunlight on his
black robe bastes his body in sweat. His sandaled feet kicked up dust as he
rushes past the beige stucco house with faded blue wooden shutters. They
opened. A stream of water douses the priest and cats.
“Oh! Père Chaumont,” Madame Bonnet says.
One spotted hand holds a rusted pail. The other covers her mouth. Neither she
nor the priest notice the wet cats slink away.
“I’ll dry quickly in this heat.” He
wants to call her a stupid woman. Instead, he makes the sign of the cross and
hurries off. He must be at his church by noon. Down rue Jean Jaures, up Avenue de
la République and past the two angels flanking the church door.
The church’s cold interior feels like
a slap. The incense smell has impregnated the foot-thick stone walls for
centuries. His eyes, although helped by the half-light of flickering long,
white candles, take time to adjust to the dark.
Good.
Each taper means more souls were
working their way out of purgatory.
Eventually he focuses on the
gold-leafed altar and makes out his beloved Virgin’s face staring at the
suffering Christ.
While Madame Bonnet’s water had felt
almost refreshing in the sun, he now shivers. Stupid, stupid woman.
He kneels. The cane footstool feels
rough through his robe. The Bishop, during his last visit two years before,
suggested changing the cane for softer cushions. Père Chaumont had nodded but
had postponed action. Discomfort, during prayer, is good for the soul.
Besides incense, the church smells of
old dust caught in light rays penetrating the slit windows. Although Père
Chaumont has only been priest in the church twenty of its three-hundred-and-ten-year
history, he considers it his. If the responsibility for each soul, each stone,
each candle weighs heavily, he accepts the pounds as his mission assigned by
God.
It’s time. He crosses himself. Twelve
clear, clear bongs ring out the hour—reminding people time is fleeting—singing
out to the glory of God. He inhales, shuts his eyes and listens as he does each
noonday on the same cane stool.
Bong. Then -ng. Bong followed
by a second ng. It sounds like bong-ng-ng.
Where was the pristine sound he so
loved?
Why an echo? A nasty echo?
Bong-ng-ng.
Bong-ng-ng. Bong-ng-ng.
There was something wrong, horribly
wrong.
Bong-ng-ng. Bong-ng-ng.
Bong-ng-ng.
He rushes to the empty street. All
the residents in the village are inside eating. Why haven’t they noticed? Why
haven’t they come running?
Bong-ng-ng. Bong-ng-ng.
Bong-ng-ng.
He looks at the steeple. Black birds
float above the sandy-brick tower, a contrast to the unreal blue sky.
His grey bell hangs motionless.
*****
“You’ve scarcely eaten, Père,” his housekeeper says twenty
minutes later. A white fish, covered with an onion sauce, congeals on his
plate. The overhead light casts a ruby reflection though a full wine glass unto
the bleached oak table. The baguette, brown from the wood oven, is untouched.
“I’m sorry.” He toys with his fork,
puts it down, glances at his watch. He goes to the window and opens the
shutters.
“Don’t let in the heat,” the
housekeeper says.
“Just for a minute,” he says.
Bong bong ng-ng.
*****
As the town slumbers after lunch, Père Chaumont climbs
the belfry’s uneven stone steps, their centers worn from the centuries when
ringers mounted the stairs to ring the bells.
When he first arrived at the church,
Père Chaumont wrote a specialist in bell tones. The expert journeyed from
Geneva to show the priest how to reset the mechanism in fall and spring and how
to override it for marriages and funerals. The Swiss had departed the next day,
saying he disliked the stink of small villages, perfumed by smells of
fertilized fields flanking the village.
The priest touches the bell, which is
as tall as he is. The grey metal almost burns his fingers. He checks and
rechecks the mechanism. Everything seems correct.
It’s almost two. The first bong
nearly deafens him. A demi second after his bell rings he hears a ng after
his bell’s ng coming from the bottom of the mountain rising outside the
village.
The priest can’t sleep that night. It’s
not the hot wind blowing off the Pyrenees that disturbs him. Nor is it his
mattress, although he feels each of the seven, thick wooden slats under it,
reminding him of the seven deadly sins. Each hour he hears the ng per
bong.
Somewhere between four and five,
sleep wins. He dreams of demons sneaking up to the belfry where Satan, stinking
of burning flesh, make him choose: the bell or his soul.
He wakes, more tired than when he’d
gone to bed. In the kitchen, he boils coffee and tears some bread from the
previous evening baguette. He can’t find the honey. His annoyance that his
housekeeper thought her dentist appointment more important than his breakfast,
bubbled under the surface.
He wouldn’t say anything. They had
come to an uneasy truce five years ago, and he lacked the energy to find a new
housekeeper to train to his whims.
From his place at the table, he looked
out the kitchen window. The back of the rectory had a small garden with bright
red tomatoes and pole beans. The housekeeper took care of the garden, another
reason to accept her dereliction of duty this morning.
Where did the rival chime come from?
Villefranche? Les Roches? Prades? All too far. He must find out.
He stops at the greengrocer, who is
lugging a basket of peaches to the front of his shop. Père Chaumont has
expected Monsieur Perez at confession for a long time.
Madame LeRoyer had confessed to
committing adultery with Perez last summer. He’d given her fifty Hail Marys and
insisted she darn the altar cloth. Most of his penances include something not
just for the soul, but for the hands. If penances benefit the church, so much
the better.
He has to be careful, because wagging
tongues might guess the nature of the sin if Monsieur Perez is seen sweeping
the church steps the same time Madame LeRoyer mends the altar cloth. His fears
were for nothing, because the greengrocer had not appeared at the confessional,
despite, Père hinting he might like to drop by.
“Bonjour,
Père Chaumont.” The greengrocer smile as he offers a
banana. Since Madame Le Royer had confessed, Monsieur Perez had offered a free
peach, apple, even a kiwi each time the priest passes.
Père Chaumont refuses the banana.
Grocer Perez can’t buy his way out of Hell with fruit. Père Chaumont is no Eve
tempted by a snake.
The priest doesn’t smile. “Have you
noticed a new bell sound?”
“Don’t pay attention to no bells,”
the grocer says to the priest’s back.
Next the butcher’s wife—now there was
a woman who will pay attention, he thinks. Her shop window features pork chops
decorated with parsley, a plate of meatballs in tomato sauce. Chickens and
rabbits hang by their feet behind the counter.
As he pushes his way through the
brown bead curtains, the butcher’s wife is beating something in a copper bowl
with whisk. “Bonjour, Père. Fresh
mayonnaise, almost done.”
Her confessions are so boring he
dreads hearing her voice when he slides the confessional door open. She’d
yelled at her children, accidentally weighed an order for the old folks’ home
incorrectly. She’d thought badly of her neighbor, whom Père Chaumont considered
a bitch also. Yet, those confessions, the ones where souls merely toy with
danger, are preferable to those of his parishioners drowning in sin.
He asked about the bells.
She puts down the bowl, places both
hands on the counter and leans toward him. “It’s the old convent. That’s where
they come from.”
“The old convent?”
“You know. The one in the foothills. Les étrangers bought it.”
He didn’t know. Père Chaumont hurries
to the rectory. On his office wall is a two-hundred-year-old map. Buildings are
sketched in faded brown ink. Papers and pencils fly in all directions until he finds
his magnifying glass at the back of his bottom desk drawer.
He peers at the map. He sees his
church and surrounding houses. Not much has changed.
There’s a convent hidden in the
forest about five kilometers outside the village, not quite up the mountain.
He has never walked that far. He
seldom walks beyond the edge of the village. Somewhere there has to be a
commandment that priests shouldn’t hike. He looks at his sandals, which were
not designed for trails. He finds rubber boots in his antique wardrobe: better than
sandals anyway.
The forest smells of pine and damp. He
passes an ant hill almost at knee level. Streams of ants march to the top.
The convent is in a cleared area with
the trees cut into piles of fresh firewood. Grapevines were planted to the left.
Instead of nuns, young people in shorts pull weeds between rows of onions.
Immodest women brandish nipples through t-shirts.
“Bonjour
Père,” one of the girls says. Her hair is
braided. She wipes her sweaty forehead with the back of her arm. Her American
accent is broad, nasal, grating.
At that moment his church bell sounds
in the distance overlapped by the convent bell.
Père Chaumont couldn’t speak. How
dare these foreigners ruin the purity of his bell’s tolling. He imagines taking
a hammer to bash the smirking faces of the infidels desecrating this convent.
“Get the priest some water,” the girl
calls. “Restez-vous ici.” She guided
the red-faced priest to a bench between the vegetable garden and the vineyard.
“Find Paul.”
The priest hears a metal screak as
another woman, her rear end hanging from her shorts, as she works the pump
handle to siphon water into a tin cup. The muscles of her arm are as defined as
any man’s.
Despite his thirst, he knocks the cup
from her hand. “Stop your bell.” The order sounds more like a gasp.
A man, maybe in his mid-twenties,
blond and blue-eyed and bronzed to questionable racial status, comes from
inside the building. “May I help you Père?
Pourrais-je vous aidez?” His accent is
worse than the young woman’s.
The priest stood so fast the bench
topples. He points his finger at the young man. “Stop your bell.” Not trusting
himself not to hit these foreigners, he turns to stomp home, shaking most of
the way.
*****
Throughout the summer the two bells continue to ring
almost simultaneously: bong-ng-ng, bong-ng-ng. The priest
demanded that the mayor revoke the carte
de sejour of the Americans. The mayor shook his head. “Not in my
jurisdiction, Père.” The priest
thought for a moment, the mayor smirked, but decided it was his imagination.
In bed in late August, when it was
still smotheringly hot, the priest has an idea. He will starve them out.
The butcher and the baker agrees
Monsieur Perez, who still hadn’t
confessed his adultery, refuses.
“Maybe Madam LeRoyer can change your
mind.”
Monsieur Perez looks behind him where
his wife is stocking lemons. Because she did not respond, the priest assumes
she hasn’t heard. He debates repeating it but decides he could always use the
information later.
The days grow shorter. Grapes are
harvested. Orange nets are placed under olive trees to gather the fruit to be
carted off to the cooperative and turned into oil. Sounds of guns shots echo
through the woods as the hunt starts and finishes.
The boycott fails. Each hour there are
bong-ng-ngs.
Père Chaumont preaches against the
immorality of people living under their very noses, how it could corrupt the
youth of the village. When Madame LeRoyer stops squirming, he thinks that she
has stopped sinning, although he had been referring to the sins committed at
the convent daily or those he imagines are being committed. At the end of Mass,
he isn’t sure anyone knows what he’d been talking about.
He demands Maître Cordelier write a letter asking the Americans to discontinue
their bells. The convent’s lawyer writes back saying no law was broken.
Cordelier delivers the response with an I-told-you-so look.
Père Chaumont loses weight from not
eating. His face, always marked with frown lines, is haggard from lack of sleep
because he wakes each hour to listen to the bong-ng-ng.
*****
Dark comes a little before five in December. The smell
of chimney smoke hovers over the village. Bûche
de Noël cakes decorated with ceramic bunnies and squirrels adorn half the
baker’s shelves. A boar hangs outside the butcher’s window. Each day there’s a
bit less as people take roasts and chops home for the holiday meal.
Père Chaumont can’t contemplate
celebrating Christ’s birth being ruined by the ng after his bell bonged.
After Christmas Eve Mass, the priest
prays for guidance. He stares at the Virgin and is sure he heard her whisper,
“Destroy the bell.”
As soon as he can return to the
rectory for his heavy coat against the cold of the Tramantane. Leaves whipped around him. The sky is as black as his
robe. The weather matches his anger.
Once at the convent, he hides behind
the water pump. The infidels have enlarged the windows, so he can see into the
refractory. Eight people, half men, half women, none over 30, all dressed in
jeans and sweaters, seem to have designated roles: ladling what looks like
soup, opening wine, cutting bread, laying the table, playing the piano, which
he can’t hear through the thick stone walls. He watches them laugh.
A Christmas tree, decorated with
paper birds, butterflies and fish, is in one corner.
The air smells smokey from the fire
in a walk-in sized fireplace.
Those poor nuns, he thinks, the ones
who lived there almost a century ago, must be turning in their graves.
The young people eat and wash up. Two
women begin to play cards. Three men sit in wooden rockers with books. The rest
chat. As the priest shivers, one by one they drifted off to where the priest can’t
see.
From this distance he hears his bell
strike the hours and the ugly override of the convent’s. The sound is worse in
proximity.
When all the lights go out, he stands.
Every muscle complains as he sneaks into the tower.
At the top of the stairs, he touches
their bell. No wonder it made such a sick ng with its sniveling size. The
damned thing is a less than a foot at its largest point. He can’t find a timing
mechanism, only a computer. He’s afraid if he smashes it everyone will wake.
Better to steal it.
Despite pulling and tugging while
grasping the clapper, it holds firm. Whether it was his concentration or the
wind howling, he doesn’t hear footsteps.
“What’s going on?” the blond leader
asks. The man’s flashlight illuminates the belfry. “Come down! Now!”
The leader, helped by a slightly
larger man, grabs the priest. Holding his arms behind his back, he wrestles him
down the worn stone steps and across the yard. The priest breaks free and runs
toward the tower only to be tackled. Struggling to his feet, he thrashes out at
whoever is in reach, hitting a women. Within seconds, he is pinned to the
ground. Gravel presses into his cheek.
The young man offers his hand to the
priest, who refuses the help and struggles to his feet.
“Come inside,” the leader says.
Lights from inside brighten the small courtyard.
The priest shakes his head. He’s the
order giver not the order taker.
“You’ll catch cold,” the leader says.
“Stop your bell. You’re ruining
mine.” The priest screams into the wind.
“How can we ruin yours?” a young
woman asks.
The priest turns and heads back to
the village as the bells bong-ng-nged eleven times. He shakes with rage
through Midnight Mass. For the week between Christmas and New Year’s he suffers
a cold and stays in bed.
His housekeeper brings his meals on a
tray. “Those foreigners, you know, the ones at the convent, came to the church.
They brought you an apple tart.”
Why was God punishing him with this
terrible cold for trying to preserve his beautiful bell? Père Chaumont blows
his nose. Now the…the…the…he couldn’t quite find the word: sinners, heathen,
devil’s spawn were desecrating his village and now his kitchen.
He huddles under the covers, ignoring
the hot milk and honey that his housekeeper brought him. It’s almost noon. He
waits for bells, the symbol of his failure.
“Bong, bong, bong…” He jumps out of
bed and throws open the window. His bell alone, clear, pure rang twelve times.
He’d won. God had triumphed. He does a mini-dance, around the bedroom not
feeling the cold stone against his bare feet. Halfway in mid spin, he hears
another bell, a bell that had a dirty ng sound at the end. It rang twelve times
too.
The rest of the day as each hour
produced his clear bell tones, a few seconds of silence followed by the convent
bell’s counterpoint. He wants to ask the leader why, but he can’t bring himself
to return to the convent.
The Americans never came back to the church.
The priest never went back to the convent. The residents never noticed the bells.
They didn’t think anything about it, but the priest did every day until he
retired.
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