Brenda
Ainsworth
“Didn’t I tell you I need a break?”
“You did, but this
assignment is too well paying, never mind that it will be fun. And never mind
my commission will pay my mortgage this month and part of next,” my agent,
Barbara Milton says.
I laugh. We’ve worked
together for decades. I know how she tries to sell me on assignments for
different writing projects, especially those that don’t excite me.
Some have driven me
half-crazy where if I ever see the people I worked with again, I would cross
the street to avoid them. Yet, I’ve made friends with others I’ve worked with.
Luck of the draw, so to speak.
She found a publisher
for my first novel which sold a whopping 5,000 copies, much more than my next
novel.
After that she
concentrated on getting me non-fiction and ghost-writing assignments
benefitting our pocketbooks and saving me from getting a nine-to-five corporate
job. Everyone knows when you work in a corporate PR department, it’s at least a
seven-to-seven job or more.
I’d just finished
ghosting a book for a prominent scumbag politician. It paid in the six figures,
the highest I’d ever made. His contract was for two million.
Because he’s such a
scumbag, the book died, which pleased me. Also, new D.C. scandals made the
topic out-of-date.
Talk about win-win. I
didn’t have to feel guilty that I put such drivel in the public domain and my
bank account was smiling.
Because of the large
payment, for the first time in ten years, I could ease up a bit. I’m imagining
myself in the south of France for the next six months, pretending I’m part of
the Hemingway-Fitzgerald crowd. Sure, I know they’re all dead, but their must
be writers hanging around the Côte d’Azur somewhere.
“How much?”
I imagine Barbara at
her desk in her home office, a cup of cold tea on her left and her desk buried
in manuscripts. She, too, gave up corporate to work for herself. Whenever, I go
to New York, which is as little as possible, I stay with her. I’m a Boston
girl, through and through, despite my love for France.
It was five years ago
that I developed a hankering to live and write in France. I’d done an exchange
my junior year at Boston University eons ago. I tell people I’ve a bit of
French DNA that makes me long for baguettes, good wine and people-watching in
cafés. The question was how could I pull that off. $50,000.
“$50,000 of what I
just earned will buy me time in France. My mind boggles. After years of
watching every penny, I suddenly have economic freedom, at least temporarily.
I look out the window.
I’d bought a handyman’s nightmare 15 years ago. I love my street called
Wigglesworth, named after a doctor at Harvard and located across the street
from the medical school. I turned it into three flats. The rental from two is
paying off my mortgage. Now I could rent out my flat. Hmmmm. “Describe the
project in more detail. Don’t chortle, I haven’t said yes.”
“It’s a project funded
by a woman who caught her multi-million husband cheating. Wants to show that
women can do lots by themselves and even more if they band together. A I-don’t-need-men-when-we-have-each-other
kind of book.”
“Hmmmm. Gay or
straight?” I don’t care one way or another. I think of the line some of my best
friends are black: Some of my best friends are gay. Some of my best lovers were
straight. But it could make a difference in how I write it.
“Straight as far as I
know. She became friends with a Boston-area lawyer who has a granddaughter in
day care. The mother is also a lawyer. She has three friends with their kids in
the same day car, all single moms. The help each other out. You will focus on
those women, their problems, their daily lives, the support they give one
another.”
I suppose meeting four
independent women could be interesting. $50,000. Still, Massachusetts is a lot
colder in winter than the Riviera. “Any more information?”
Barbara continues. “No
research. No limitations. Just interface with the women. I think a creative
non-fiction approach will work. Don’t you?”
One problem I’ve had
writing corporate stuff or some articles are limitations. Truth is relative and
color is often left out. In creative non-fiction I can create scenes, use
dialogue. It’s almost as good as writing a novel.
Who am I kidding? When
I wrote my two novels, I wasn’t in charge either. Ideas jumped into my
computer. I want that to happen again when I’m in France. Maybe, I’m not being
realistic, but I see France as place to nourish my creativity.
I say nothing. I know
silence drives Barbara crazy. I’m right. She must break it. “I’ve been given a
short profile of each of them. I bet you’d like them all.”
Some snowflakes drift by
my bay window in front of my desk. Good God. Early November and snow? Timing?
“Four months.”
After I finish the
book, I could spend spring and summer in France. Even fall or maybe if I’m
careful winter or longer.
“When do I meet my
client?
“You don’t. She’s too
busy in New York.”
“I could fly down.”
“She doesn’t want a
meeting, at least yet, but she’s prepared everything you need. I’ve already
e-mailed you a PDF of the contract and the profiles. You could start the first
appointments next week.”
I give Barbara some
more objections, but she knows I’m going to say yes. It’s too tempting an
assignment and money is too good. I can put off France for a couple of months.
Damn it.
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